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Uprooted | Outpost, Norwich | ph. Studio Adamson

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Mare Nexus | cyanotypes + thread | Circolo, Milan

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Mare Nexus | ph. Andrea Rossetti 

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4 fans (200 balloons) | installation, 24hrs


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from "Dictionary of past and current self"
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Dictionary of past and current self

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Woodwounds

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from "Woodwounds", drawing on olive wood

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the trees before last  | nomad utopia gallery

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Green Room | 2025

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the seeds before last, Collectif 1200, Casa Arabe, Photo Espana, Madrid

the trees before last | Case Arabe | 2022

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the trees before last | Abroyan Factory | 2022

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Street Furniture

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floor-closed diptych & a passing sea | Sursock Museum | 2021

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Houl3000, artist residency, photography festival Les Femmes S'Exposent

Houl3000| France | 2022

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Block of resin moulded after a Byzantine-era stone found in Deir el Qalaa/Beit Meri as part of Art Design Lebanon exhibition

block R01 | resin | 2021

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Beirut Art Residency

SAD SUN | site-specific installation | 2020

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Escalade wrapped in black tape, corrupt politicians, contemporary art, Beirut

escalade | PVC, cellophane, car | 2016

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burjelmurr, burj el murr, murrsansfin, newmedia, new media, Beirut, contemporary art

murrsansfin | instawork | 2017

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Arab Documentary Photography Programme, AFAC, Prince Claus Fund, Magnum Foundation

my canary sings to me | Beirut | 2022

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contemporary photography

last years' snow/while we wait | Lebanon | 2015 - ongoing

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photo printed on stone, Beirut Art Center

floor|closed diptych | ink on stone | 2018

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floor|closed diptych | ink on stone | 2018

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from 'dedicated to you but you weren't listening' | instawork | 2017

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from the book, Beirut: Naked City

نَحيِب | Beirut | 2017

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from the book, Beirut: Naked City

Backstage | Beirut | 2017

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